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Allen and Heath GL3200 Mixer


32-channel Mix Console with Six Aux Sends, 7 x 4 Matrix, and Extended Headroom Preamp Design L/R and M main outputs Four audio groups with pan control Six auxiliary sends with per-channel pre/post fader switching Two stereo channels each with mic and dual stereo line inputs 7×4 matrix Proper dual functionality for FOH and/or monitor mixing M can be configured as L/R sum, wedge, or aux-fed sub or C master Recording capable with channel direct outputs Matrix external inputs with level trims and common input capability Stereo channel line inputs can be independently routed to L/R Stereo channel mic input breakpoints for cross patching into matrix Responsive 4-band, 2-sweep EQ 100Hz channel highpass filters Individual phantom power and polarity switching Dedicated Channel, Master and stereo Monitor meters Internal jumper plugs for pre/post-EQ aux, direct out and other options Mutes, meters and AFL on all fader masters Assignable talkback 1kHz oscillator and pink noise generator 2-track monitoring and replay to L/R Headphones and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp +34dBu maximum input capability for mic or line Ultra low-noise mix head amp design Internal power supply with MPS12 backup supply input (16 to 32 models) 100mm dust protected faders Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Optional Sys-Link V2 console linking 4-pin XLR lamp sockets

KSh 150,000.00 KSh 160,000.00

Compare
  • 32-channel Mix Console with Six Aux Sends
  • 7 x 4 Matrix, and Extended Headroom Preamp Design L/R and M main outputs
  • Four audio groups with pan control Six auxiliaries sends with per-channel pre/post-fader switching
  • Two stereo channels each with mic and dual stereo line inputs
  • 7×4 matrix Proper dual functionality for FOH and monitor mixing M can be configured as L/R sum, wedge, or aux-fed sub or C master Recording capable with direct channel outputs
  • Matrix external inputs with level trims and joint input capability
  • Stereo channel line inputs can be independently routed to L/R Stereo
  • channel mic input breakpoints for cross patching into matrix Responsive 4-band, 2-sweep EQ 100Hz channel highpass filters Individual phantom power and polarity switching Dedicated Channel,
  • Master and stereo Monitor meters
  • Internal jumper plugs for pre/post-EQ aux
  • direct out and other options Mutes, meters and AFL on all fader masters Assignable talkback 1kHz oscillator and pink noise generator 2-track monitoring and replay to L/R Headphones and local monitor outputs

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